Home | James Stevens Tenor

"As Peter Quint, James Stevens nearly stole the show. A rarity to hear...a tenor sound so beautiful. He soared in Britten's vocal writing. -Broadway World

"his focused, suave tenor was well-suited to the assignment"

-Opera Today

Steven’s performance is a perfect mix of pain and comedy, delivered with a clear-as-a-bell voice that fills the stage. .. he makes the complex Act I trio “Now / Later / Soon” one of many memorable moments.

-Stage Left St. Louis

Possessing a "clarion voice....

appropriately stealing every scene he was in."

-OperaWire

Biography

Praised for his "focused, suave tenor [which] was well suited to the assignment" (Opera Today) and "possesing a clarion voice" and "appropriately stealing every scene he was in" (OperaWire), tenor James Stevens is rapidly establishing himself as a sought-after tenor throughout the country.

Recent appearances include singing with Union Avenue Opera as Henrik Egerman in Sondheim's A Little Night Music, with his performance praised by critics as "the perfect mix of pain and comedy...with a clear as a bell voice" (Stage Left St. Louis) and as Peter Quint in Britten's The Turn of the Screw, with his performance praised having "nearly stole the show" and having a voice "which soared in Britten's vocal writing" (Broadway World). Other recent appearances include singing with the Des Moines Metro Opera as Thespis in Rameau's Platée, and Chautauqua Opera as Léon in Corigliano's The Ghosts of Versailles with the composer in attendance, and covering the role of Almaviva in Rossini's Il barbiere di Siviglia. Other recent operatic highlights include singing Alfred in Strauss' Die Fledermaus, Tamino in Mozart's Die Zauberflöte, Tolloler in Gilbert and Sullivan's Iolanthe, and Albert Herring in Britten's Albert Herring.

Equally at home on the concert stage, his recent concert engagements include covering the tenor solo in Mendelssohn's The First Walpurgis Night with the Saint Louis Symphony Orchestra under Nicholas McGegan, performing the Evangelist in Charles Wood's St. Mark Passion with the Ladue Chapel Choir, and an upcoming performance as the tenor soloist in Britten's Cantata misericordium with the Webster University Choir and Orchestra. Past performances include Schubert's Die schöne Müllerin pianist Trent Patterson as part of the Webster University Concert Series multiple concerts as the tenor soloist with the American Kantorei in various Bach cantatas, singing the tenor solo in Jongen's Mass with the Choralis Choir, and appearing as the tenor soloist with renowned horn player Daniel Katzen in a recital featuring Britten's Serenade for Tenor, Horn, and Strings. He frequently appears as the tenor soloist in Handel's Messiah, with recent performances with the Central Maryland Chorale and Landon Symphonette.